Some of the most coveted furniture designs today were created decades ago, their enduring appeal untouched by trends old and new. As homeowners look to timeless pieces that continue to make a statement, a new wave of iconic mid-century and modernist designs have been brought back into production with faithful reverence, meticulous precision and, often, a touch of sustainable innovation. Much like fashion’s archival revival, these design reissues carry a certain sense of pedigree, drawn up by some of the biggest names in the industry.
Earlier this year, the 63rd edition of the acclaimed Milan Design Week saw the reveal of many of such pieces. Saint Laurent brought back four pieces by pioneering 20th-century designer Charlotte Perriand—three created for her own home and one for a diplomat’s residence, all of which have previously been unseen until now. Phantom Hands also revived a collection of works by acclaimed architect Geoffrey Bawa, known for his distinct way of weaving classic modern simplicity with unique Sri Lankan flair.
In today’s homes, these celebrated designs are conversation starters, subtle centrepieces and for those in the know, the marks of a tastemaker. Below, we round up the most coveted design reissues of the season.
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Marset Lauro table lamp, by P Aragay and J Pérez Mateo in 1973
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Ligne Roset Kashima armchair, by Michel Ducaroy in 1976
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Ikea Skålboda armchair, by Niels Gammelgaard in 1983
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CB2 Pill lamp, based on archive sketches by Bill Curry in the late 1960s
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Wiener GTV Design Boomerang desk, by Enzo Mari in 2001
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Thayer Coggin Cruisin’ lounge chair and ottoman, by Milo Baughman in 1965
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Tacchini Africa chair, by Afra and Tobia Scarpa in 1975
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Santa & Cole La Bella Durmiente floor lamp, by Gabriel Ordeig Cole and Nina Masó in 1987
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Saint Laurent Indochina guest armchair, by Charlotte Perriand in 1943
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Carl Hansen & Søn Spherical bed, by Kaare Klint in 1938
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Molteni&C Monk armchair, by Afra and Tobia Scarpa in 1973
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CB2 Memoria table lamp, by Gianfranco Frattini in 1961
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Phantom Hands Kandalama Cafe chair, by Geoffrey Bawa in 1994
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