For decades, the family-owned house of Longchamp has been the epitome of quiet luxury—a brand that has not just embraced the term but defined it long before it became a fashion buzzword. What began as a humble family business crafting leather-covered pipes has now evolved into a powerhouse of French craftsmanship. Since its inception in 1948, the maison has consistently championed artisanal excellence, with the hand—both of the artisan and the designer remaining central to its one-of-a-kind story and heritage. This commitment to true craftsmanship carries through to each new range, including the house’s latest fall 2025 collection, curated in a poetic collaboration with Parisian artist and ceramist Constantin Riant.
Known for his work rooted in graphic simplicity and manual gestures across illustrations, paintings, and ceramics, Riant draws inspiration from the ‘Paris’ of local artisans—the upholsterer shops and booksellers that line neighbourhood streets to the luthier and the picture framers. This collection is an ode to the ones that keep the city’s creative heart beating. One that feels like a quiet walk through the very soul of Paris—unlike the polished, postcard-perfect version, but the layered, lived-in city one, where art is tucked into every nook and cranny, and there is a certain beauty in the ordinary.
The collection comprises of six exclusive pieces, each rendered in a classic palette of cobalt blue and white—a nod to Riant’s ceramic roots and the utilitarian charm of traditional workwear. A standout is the “Les Artisans de Paris” silk scarf, adorned with Riant’s hand-drawn illustrations of local shopfronts—from booksellers to florists—each a love letter to the hidden artistic corners of the city. The collection features an array of sturdy cotton jackets and painter-style overalls, graphic T-shirts, and an updated version of the iconic Le Pliage tote bag. And if you look closer, you’ll spot the maison’s new emblem designed by Riant—a visual story blending symbols of Longchamp’s legacy and dedication to craft, from leatherworking tools and the first leather-covered pipes to ships and planes. This emblem appears throughout the collection as a modern seal of craftsmanship and creativity.
In an interview with Vogue Singapore, Riant and Longchamp’s general manager and creative director Sophie Delafontaine open up about their creative process, shared appreciation for craftsmanship and the making of the fall 2025 collection.
How did you encounter Constantin’s work? What is it about his vision that made him the perfect collaborator for this collection?
Sophie Delafontaine: I’ve known Constantin for several years and have followed his work since the beginning. Our shared passion for craftsmanship and artistry field made this collaboration a natural fit, as our two worlds align perfectly. I wanted to illustrate the beauty of artisans through the eye of a native artist who could capture the city atmosphere and its artisanal heritage. Constantin imagined a poetic universe while celebrating those who bring the capital to life.
How does this collaboration reflect Maison’s commitment to supporting emerging artists, while also honoring the dynamism of cultural creativity beyond fashion?
SD: Maison Longchamp always had a close relationship with art. Supporting emerging artists is a continuation of that bond, allowing us to maintain a kind of freshness in creativity. Our aim is to act as a springboard for these up-and-coming artists—a catalyst for their visibility—helping their talent and work reach the broadest possible audience. Each new collaboration is both a discovery and a challenge—entering the artist’s world, understanding their aspirations, and transforming it all into a Longchamp product that is both aspirational and respectful of our heritage and DNA. For this collection, Constantin Riant—as Parisian, young artist and a highly creative spirit—embodied many values reflecting Longchamp’s spirit.
Let’s talk about the emblem—given that it’s such a crucial part of the house. What were the guidelines given to Riant with the new design?
SD: Constantin did a great work translating Longchamp’s codes into a single emblem—from the first leather-covered pipes to the iconic ‘Le Pliage’ bag, leatherworker’s tools as well as a plane and a boat symbolising the brand’s international expansion. The idea was to use these symbols to express the connection between past and present in a very visual way—with placed on pieces inspired by artisans’ workwear wardrobe such as a painter vest. This emblem truly finds its meaning and brings a more authentic twist to the collection.
The scarf is described as the ‘star piece’ of the collection. Why did you decide to spotlight such a classic accessory, and what does it symbolise?
SD: The collaboration is meant as a complete set of six exclusive pieces (bags and ready-to-wear) all reflecting Constantin’s universe with his very distinctive blue and white colour palette. The scarf “Les Artisans de Paris” holds great meaning as it embodies the quintessential Parisian ‘flâneur’ spirit. It pays tribute to the artisans and their charming shopfronts found throughout the city—an upholsterer, a bookseller, a florist, among others. I love the idea of taking time to explore the city and neighbourhood, and rediscovering the details that make Paris such a unique and inspiring destination.
Constantin, you’ve have described this project as exploring Paris like a tourist. What parts of the city inspired you the most during this creative journey?
Constantin Riant: I’m often most inspired by the hidden or secluded corners of the city, though I also love the historical centre of Paris like all Parisians. What makes Paris truly remarkable is that each neighbourhood has its own distinct identity, aesthetic, and community. It’s this diversity that gives the city its unique charm and richness. Walking along the river Seine banks, whatever the weather is one of my favourites.
The colours cobalt and white have become your signature as an artist. What do they symbolise to you?
CR: Cobalt blue and white are closely tied to my ceramic practice. When I first began working with ceramics, I wanted to use a recognisable colour palette that echoed the tradition of ceramic arts, from Chinese and Japanese vases to Portuguese azulejos and classic French tableware. I found inspiration from traditional slip glazes such as Delft blue and the Bleu de Sèvres, as well as the bright white of porcelain and faience. These tones have since become an integral part of my artistic identity.
Longchamp is known for heritage and craftsmanship. How did reimagining the Le Pliage bag for this collection allow you to merge tradition with innovation?
CR: I’m very grateful to have had the opportunity to create a new version of the Le Pliage bag by preserving its iconic shape and silhouette, while infusing it with my colour codes, illustrations, and aesthetic. This fusion allowed us a balance between tradition and creative innovation, that resonates with my work.
You’ve designed a new logo for the maison. Can you share the story and inspiration behind its design?
CR: I loved looking into Longchamp’s archives, savoir-faire and craftsmanship to identify key visual elements that would reflect the brand’s rich heritage. From there, I created a design that pays tribute to that legacy, reinterpreted with my visual language.
Fashion and art have a symbiotic relationship. What kind of dialogue did you and Longchamp aim to create between these two overarching disciplines?
CR: I believe that artists offer fashion a fresh perspective, a unique vision and universe to explore. Fashion allows artists to work within new formats and constraints, pushing their creativity in different directions. I think these two disciplines constantly inspire one another and often serve as powerful indicators of future trends and creative movements. It was an incredible opportunity to work on fashion pieces that reflect my own vision, pieces that not only embody my artistic language but also exist within a wearable, living format.
Longchamp X Constantin fall 2025 capsule collection is now available in stores.
