Under the vaulted grandeur of La Reggia di Caserta, Max Mara set the stage for a visual feast celebrating women through the cinematic lens of Italian culture: ornate, historic, and deeply Italian. The mood? Cascading marble staircases and gilded ceilings—the perfect backdrop for the its resort 2026 collection—a considered tribute to Naples and to the evolving codes of womanhood the brand has dressed since its founding. And to add to the shimmer of the evening, a lineup of stars showed up, including the likes of Alexa Chung and South Korean actress Lee Sung Kyung.
Griffith’s vision encapsulated elements of the brand’s past, seen especially through archival references trickled throughout the collection. Starting with a collaboration that reaches into the heart of Neapolitan craft—in partnership with tie maker E. Marinella, Max Mara reinterprets vintage cravatte prints across silk pyjamas and oversized cashmere sweaters. Rendered on soft, fluid silhouettes, the motifs offer a modish expression of familiar codes—connecting storied heritage to the sartorial culture of the moment.
There’s also an earthy sense of charm that runs through the entire collection—sun-faded pinks, powdery blue, off-white, and muted tobacco. Silhouette play was also apparent in the ensembles: full circle skirts came with lozenge-shaped pockets that jutted out slightly, lending a sculptural dimension to the silhouette, while some were paired with portrait-collared tops and matching strapless bras. There’s a certain playfulness, too, in the rolled-up shorts—referencing Silvana Mangano’s turn in Riso Amaro—reimagined with a polished, intentional edge.
The tailoring shifts throughout, but the coats are a steady anchor—Belted, shawl-collared, funnel-necked, or fringed, they speak to the luxury brand’s core—practical yet always poised. The range also sees a quiet contrast between ornament and architecture: strapless gowns in dense panno scattered with crystals, their silhouettes underpinned by boned silk gauze bodices that peek just above the neckline.
Accessories extend that duality of refinement and utility. The Whitney Bag, a cherished silhouette since 2015, returns in four new editions, sculpted with cleaner lines and softened curves. Another standout accessory seen on the runway were silk scarves, printed with Marinella’s reinterpreted archival designs, offering a more intimate and meaningful detail to any look.
Together, these elements sketch a portrait of a woman who is empowered by history—a visual representation of Italian culture, heritage and cinema. Below, see some of the key looks from Max Mara’s 2026 resort collection.
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