There is a kind of secret formula to throwing a truly memorable party, although most people never quite manage to capture it. Auryn Studio, however, seems to keep it close at hand, almost as if it were second nature. Step into one of their gatherings and the scene becomes clear in an instant. Candlelight pools across the glassware, sculptural florals arc gently over the table and small details like pressed place cards, soft linen folds and the quiet weight of polished cutlery draw guests into the moment before the evening has even begun.
At the centre of the studio stands Costanza Giaconi, the Florentine creative director whose work has become quietly legendary among those who value beauty that feels both intimate and transportive. Giaconi has spent years shaping celebrations around the world, turning ordinary rooms into fleeting worlds that exist only for a night.
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Bianco Bouquet, Giaconi’s bridal venture, spans a global portfolio, including the three-day wedding of Gossip Girl alumnus Ed Westwick and Bollywood star Amy Jackson on the Amalfi Coast. It has long been recognised as a benchmark for destination weddings around the world. Couples who sought out the brand knew they would receive more than meticulous planning. Set along sunlit terraces and intimate villas, each celebration balances grandeur with quiet precision. Every detail—from the florals to the table settings—is shaped with the same care that she brings to every project.
That’s the signature of Auryn Studio—artistry and imagination in a form that feels deeply personal. You’ll find the same level of refinement and vision to celebrations of all kinds. The studio imagines anniversaries, brand events, milestone dinners and even quiet family gatherings with the same sense of intention that once defined those faraway weddings.
Now Giaconi has brought her instinct for storytelling to Singapore’s sunlit shores, allowing Auryn Studio to gently adjust the language of luxury events here. Her approach is unmistakably Italian. It values narrative as much as decoration and it treats each celebration like a short film with its own rhythm, colour palette and emotional arc. Nothing is left to coincidence, yet nothing feels forced.
The studio’s debut in Singapore unfolded at the Mandala Club in a dinner created in collaboration with Vogue Singapore. The evening served as a gentle introduction to the world Auryn Studio will build here. The table glowed with candlelight that danced against sculptural florals. Soft music rose and fell like a conversation. Guests spoke in those low, delighted tones that only appear when they feel fully immersed in an atmosphere. Nothing shouted for attention. Instead, the details worked together with such harmony that the entire night felt like a single, flowing gesture of hospitality.
It was a small gathering, yet it carried the weight of a milestone. By the time the last guest left the room, the message was unmistakable. Auryn Studio has arrived in Singapore, and its presence signals a new chapter for those who believe every evening should be magical.
