A tribute to the modern voyager—for Louis Vuitton’s fall/winter 2025 collection, Nicolas Ghesquière revisits the house’s travel-inspired heritage in a way that feels both cinematic and culturally resonant.
The show took place at a secret location: L’Étoile du Nord, a rich, historical space tucked next to Gare du Nord, one of Paris’s busiest train stations. Once the headquarters of a 19th-century train company, the venue was transformed to resemble a grand station platform. It was the perfect backdrop for a collection that celebrates the beauty of being in transit.
And in true Louis Vuitton fashion, the symbiosis of style and music was at the heart of it all. For this season, the maison collaborated with pioneering electronic band Kraftwerk, specifically referencing their Trans-Europe Express album—a tribute to the golden age of rail travel through a modernist lens. The album cover appears on some of the looks, with its title quietly anchoring the spirit of the designs.
The collection also pulled from a range of train-inspired films, handpicked by Ghesquière’s team themselves. Titles like 2046, Snowpiercer, Casablanca, Brief Encounter, Harry Potter, and Murder on the Orient Express all made the cut. These references translated into a dynamic cast of characters: city dwellers, lone adventurers, daily commuters—each look representing a different persona and story, almost like snapshots from different stations in someone’s life.
As for the looks themselves? It was utilitarian meets chic in the best way possible. An eclectic palette that felt like voyagers heading in every direction, from laid-back layering to sharp, tailored moments with a hint of formality. Think city-country mix looks comprising of fishing trip blanket coats, velvet dévoré dresses, sporty commuter jackets, and train attendant ties.
Silhouettes were also reminiscent of the ’80s, coupled with plaid capes, embellished knit sweaters and bejewelled yoke dresses. Translucent rain jackets, leather cargo shorts, and voluminous ruffled skirts also added an audacious edge to the line-up of ensembles.
The accessories stayed true to the house’s DNA, with the show spotlighting soft-sided travel bags—a nod to the maison’s legacy of designing for the journey. There was the familiar Keepall, but also a fresh, reimagined silhouette: L’Express, crafted in soft tones and clean lines. And the extras pulled no punches—chunky bangles, boots paired with thigh-high socks, sculptural belts, as well as statement hats of every kind: exaggerated bucket styles, leather baseball caps, wide brims, and miniature berets.
In the end, this wasn’t just another dreamy, escapist show. Ghesquière used travel as a lens to reflect on identity and culture by storytelling through contemporary, wearable designs. It was cinematic, yes—but also practical and beautifully grounded in reality and tasteful commute.
For more information, visit Louis Vuitton.
